Ilit Azoulay’s newest exhibition, “Regarding Silences,” which is the culmination of eight years of research and production. Azoulay is known for using thousands of high definition macro photographs to create surreal composite images. Using her signature technique for this project, she painstakingly catalogued the renovation of an emblematic Brutalist building situated in northern Israel, in the process uncovering complex layers of history.

Read the full review in Haaretz (Hebrew)