Ilit Azoulay

Bio

Ilit Azoulay, b. 1972, Tel Aviv. Lives and works in Berlin.

Azoulay’s work has been exhibited extensively  and internationally in galleries and museums
including solo exhibitions at the Center for Contemporary Art Tel Aviv (2019),  The Israel Museum (2017),
Braverman Gallery (2013, Tel-Aviv), Kunst Werke (2014, Berlin), Herzliya Museum of Contemporary
Art (2014, Herzliya), and Andrea Meislin Gallery (2011, 2013, New York ). In 2014 she was nominated
by Quentin Bajac and received the Rencontres d’Arles Discovery Award (2014, Arles).

The artist has taken part in group exhibitions in established galleries as well as museums such as
Bauhaus Deassau (2019), Ashdod Art Museum (2019), The Israel Museum (2017, 2011, Jerusalem),
Pinakothek der Modern (2016, Munich), The Museum of Modern Art (2015, New York), Musée d’Art
moderne de la Ville de Paris (2015, Paris), Australian Centre for Contemporary Art (2015, Melbourne),
Braverman Gallery (2013, Tel-Aviv), Andrea Meislin Gallery (2013, New York), and Daimler Art
Collection (2012, Berlin) among others.

Azoulay is the recipient of  several awards among them the Constantiner Photography Award for an
Israeli Artist, Tel Aviv Museum of Art (2011), the Israeli Culture and Sports ministry prize (2011),
Mifal ha-Pais Foundation Grant (2013) and was among the finalist of the Pictet prize for contemporary
Photography (2015).

Her works appear in numerous worldwide museum and private collections including The Museum of
Modern Art in New York and Centre Pompidou Paris.

Recent publications include No Thing Dies (Mousse Publishing), Finally Without End, an artist monograph
(Sternberg Press, Berlin), and Shifting Degrees of Certainty which was published following her exhibition
at KW (Spector Books, Leipzig).

Ilit holds a BFA (1998) and MFA (2010) from the Bezalel Academy of Art and Design, Jerusalem.

 

Gallery Exhibitions

Assaf Shaham, Gilad Ratman, David Adika, Anna Yam, Aharon Ozery, Ilit Azoulay, Dana Levy
Group Exhibition, Bezalel Department of Photography
Ilit Azoulay, Reuven Israel, David Adika, Katharina Gaenssler, Dana Levy, Mark Yashaev, Shahar Marcus, Assaf Shaham, Nira Pereg, Roy Efrat
Anna Yam, Anton Ginzburg, Biljana Djurdjevic, Dana Levy, David Adika, Gilad Ratman, Hila Karabelnikov, Ilit Azoulay, Jacob Mishori, Katharina Gaenssler, Nezaket Ekici, Nira Pereg, Noa Gur, Ohad Matalon, Oren Eliav, Reuven Israel, Robin Rhode, Shahar Marcus and Shana Moulton

World Wide Exhibitions

Art fairs

2019
November 7 – 10, 2019
2018
November 8 – 11, 2018

Publications

Ilit Azoulay

KW Pocket 3: Shifting Degrees of Certainty

Ilit Azoulay

Finally Without End

Ilit Azoulay

a 7th Option

Ilit Azoulay

No Thing Dies

Stories

NEWSLETTER

VISIT

Sunday

Monday

Tue – Thu

Fri – Sat

Closed

By appointment only

11:00 – 18:00

11:00 – 14:00

CONTACT

CREDITS

Design by The-Studio

Code By Haker Design

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, Regarding Silences, Installataion view, CCA Tel Aviv 2019

Ilit Azoulay, B:” …o.k. shall we sit? I have some good news for you gentlemen…”, 2016, Latex print, 200 x 940 cm

Ilit Azoulay, Retreat!, 2016, Inkjet print, 150 x 110 cm

Ilit Azoulay, Third Dream "I see places", 2016, Inkjet print, 106 x 277 cm

Ilit Azoulay, Mirror Stage, 2012, inkjet print, 144 x 288 cm

Ilit Azoulay, Intoxication of Oblivion, 2012, inkjet print, 142 x 288 cm

Ilit Azoulay, Wipe the Slate Clean, 2016, Inkjet print, 150x 195 cm

Ilit Azoulay, Howling for Beuys, 2014, inkjet print,150 x 300 cm

Ilit Azoulay, Imaginary Order, 2013, inkjet print, 150 x 440 cm

Ilit Azoulay, No Thing Dies, installation view,The Israel Museum Jerusalem, 2017

Ilit Azoulay, No Thing Dies, installation view,The Israel Museum Jerusalem, 2017

Ilit Azoulay, No Thing Dies, installation view,The Israel Museum Jerusalem, 2017

Ilit Azoulay, No Thing Dies, installation view,The Israel Museum Jerusalem, 2017

Ilit Azoulay, Under the surface only the mereness of things could be seen, 2017, inkjet print and gold leaf, 154 x 116 cm

161X121

Ilit Azoulay, New head when he made the wrong movement he didn’t know what harmony he tore, 2017, inkjet print and golf leaf, 161 x 121 cm

170X150

Ilit Azoulay, Dreamtime. All this and more he had seen while asleep, 2017, inkjet print and gold leaf, 170 x 150 cm

Ilit Azoulay, (Take, for instance, this) true story, 2017, inkjet print and gold leaf, 142 x 120 cm

99X70

Ilit Azoulay, Neither dream nor riddle, 2017, inkjet print and gold leaf, 99 x 70 cm

230X150

Ilit Azoulay, It is impossible to explain how suddenly everything stood still, 2017, inkjet print and gold leaf, 230 x 150 cm

193X150

Ilit Azoulay, Cover story, 2017, inkjet print and gold leaf, 193 x 150 cm

214X50

Ilit Azoulay, The return of things that are no more, 2017, inkjet print and gold leaf, 214 x 50 cm

257X120

Ilit Azoulay, Cover story (late), 2017, inkjet print and gold leaf, 257 x 120 cm

Ilit Azoulay, On the most beautiful thing in the world, 2017, inkjet print and golf leaf, 104 x 65 cm

Ilit Azoulay, Contemplating, what did he see The beginning, preceded by nothing, 2014, inkjet print and gold leaf, 168 x 149 cm

Ilit Azoulay, Remembered from that journey was only this, 2017, inkjet print and gold leaf, 131 x 101 cm

125 x 77 cm

Ilit Azoulay, Before she reaches the ground (still mid-air) one can see that her neck is broken, 2017, inkjet print and gold leaf, 125 x 77 cm

46X31.5

Ilit Azoulay, Imagine that only one person could, 2017, inkjet print and gold leaf, 46 x 31.5 cm

Ilit Azoulay, Turkish Textile, 2017, inkjet print, 25 x 73 cm

Ilit Azoulay, One may ask how, for what principle, does the world persist, 2017, inkjet print, 174 x 136 cm

Ilit Azoulay, The life in her is limited to that side only, 2017, inkjet print and gold leaf, 138 x 98 cm

130X179

Ilit Azoulay, For unknown reason, the place they took, empty, 2017, inkjet print and gold leaf, 130 x 179 cm

Ilit Azoulay, All sorts of sights went wrong like a great catastrophe in a glass storage, 2017, inkjet print and gold leaf, 157 x 121 cm

Transferumbau, installation view, White City Center, Tel-Aviv, Israel, 2019

Transferumbau, installation view, White City Center, Tel-Aviv, Israel, 2019

Transferumbau, 2019, Exhibition view, Bauhaus Museum Dessau, Germany

Transferumbau, 2019, Exhibition view, Bauhaus Museum Dessau, Germany

Ilit Azoulay, In the Middle of the Field of Flowers, 2019, Inkjet print, 115.2 x 285.2 cm

Ilit Azoulay, Bricolage (III), 2019, Inkjet print, 117.2 x 146.9 cm

Ilit Azoulay, The Proclamation, 2019, Inkjet print, 88 x 203 cm

Ilit Azoulay, Lost in Translation, 2019, Inkjet print, 41 x 62 cm

Ilit Azoulay, Forget Me Not, 2019, Inkjet print, 84.8 x 235.2 cm

Ilit Azoulay, Tile Story, 2019, Inkjet print, 75.5 x 167.7 cm

Ilit Azoulay, Implicit Manifestation, installation view, Herzeliya Museum of Contemporary Art, 2013

Ilit Azoulay, Implicit Manifestation, installation view, Herzeliya Museum of Contemporary Art, 2013

Ilit Azoulay, Implicit Manifestation, installation view, Herzeliya Museum of Contemporary Art, 2013

Ilit Azoulay, Implicit Manifestation, installation view, Herzeliya Museum of Contemporary Art, 2013

Ilit Azoulay, Shifting Degrees of Certainty, 2014, overall 250 x 900 cm

Ilit Azoulay, Seocond Option, inkjet print,

Linguistic Turn, installation View, Braverman Gallery, 2013

Ilit Azoulay, Panic in Lack of Event, installation view, Braverman Gallery, 2013

Linguistic Turn, installation View, Braverman Gallery, 2013

Ilit Azoulay, Red, 2013, inkjet print, 150 x 400 cm

Ilit Azoulay, Panic in Lack of Event, 2013, inkjet print, 150 x 540 cm

Ilit Azoulay, Blue, 2013, inkjet print, 112 x 166 cm

Ilit Azoulay, Red Descending a Staircase, 2013, inkjet print, 65x98 cm / 25.5x38.5 inch.

Ilit Azoulay, Past Perfect, inkjet print, 150 x 184 cm

Ilit Azoulay, First Option, 2013, inkjet print, 184 x 150 cm

Ilit Azoulay, Passage, 2009, inkjet orint, 33 x 47 cm

Ilit Azoulay, Transition, 2010, inkjet print, 33 x 47 cm

Ilit Azoulay, Bridge, 2011, inkjet print, 33 x 47 cm

Ilit Azoulay, Relative Parts, 2012, 68 x 125 cm

Ilit Azoulay, By Mutual Assent, 2012, inkjet print, 68 x 129

Ilit Azoulay, Room #8, installation view, 2011

Ilit Azoulay, At the Appearance of Things, 2011, 69 x 109 cm

Ilit Azoulay, Room #8, Wall no. 1, 2011, inkjet print, 150 x 250 cm

Ilit Azoulay, Room #8, Wall no. 2, 2011, inkjet print, 150 x 250 cm

Ilit Azoulay, Room #8, Wall no. 3, 2011, inkjet print, 150 x 250 cm

Ilit Azoulay, Room #8, Wall no. 4, 2011, inkjet print, 150 x 250 cm

Tree For Two One, 2010, public installation, Contact Photography Festival, Museum of Canadian Contemporary Art, Toronto

Ilit Azoulay, Tree For Too One, 2010, inkjet print, 150 x 500 cm

Ilit Azoulay, Tree For Too One, 2010, details

Ilit Azoulay, The Keys, 2010, inkjet print, 150 x 370 cm

Ilit Azoulay, The Keys, 2010, detail

Artwork Inquire

Contact

  • 33 Eilat St., Tel Aviv, Israel, 6684607
  • 03-566-6162
  • assistant@bravermangallery.com

Visit

Sunday

Monday

Tue – Thu

Fri – Sat

Closed

By appointment only

11:00 – 18:00

11:00 – 14:00