“With her 2020 film work “Last Man”, the multimedia artist Dana Levy poses questions about the depictability and possibility of film documentation, and confronts us with a reappraisal and processing of the recent past.“
Read the full essay (DE) on Dana Levy’s video work ‘Last Man’ written by Tonio Nitsche for the ARTicle here.
Videokunst: Fakt, Fiktion und die Krise des Dokumentarischen
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Design by The-Studio
Code By Haker Design
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Tue – Thu
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