Liora Kaplan
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Liora Kaplan lives and works in Tel Aviv. She studied at Beit Berl College of Arts and Avni Institute of Art. Selected solo exhibitions include: ‘At The End There Was a Doorway’, Braverman Gallery, Tel Aviv, 2025, curated by Adi Gura; ‘To Shulamit, As Promised, With Love’, Braverman Gallery, Tel Aviv, 2025, curated by Adi Gura; ‘The Lighthouse is Dark Between Flashes’, KMAC, Kentucky, USA, 2023, curated by Joey Yets; and ‘Rhythms of Permanent Resonance’, CCA Tel Aviv, 2022, curated by Nicola Trezzi. Her public sculpture ‘Often There is a Need For Time’ is part of the Tel Aviv Municipality’s outdoor sculpture project (2023).
Other notable exhibitions include: ‘By The Same Sea’, The Autonomous Biennale at Herzliya Gymnasium, Tel Aviv, 2025, curated by Sandra Well; ‘On a Silver Platter’, CCA Tel Aviv, 2024, curated by Nicola Trezzi; ‘Boundless Space’, Sotheby’s, New York, 2021, curated by Kim Cook; ‘Ground Water’, Municipal Gallery Ramat Hasharon, 2020, curated by Ravit Harari; ‘EXHIBIT MODEL SIX – The Tel Aviv Version’, CCA Tel Aviv, curated by Nicola Trezzi; and ‘ONLY CONNECT!’, Braverman Gallery, Tel Aviv, 2019, curated by Thomas Rom.
Kaplan has received awards from the Foundation for Independent Creators, the Artis Cultural Export Fund (2024), and the Artis Exhibition Assistance Grant (2024, 2022). Her works are included in the Tel Aviv Museum of Art collection, the Knesset Art Collection, and numerous private collections worldwide.
Sunday
Monday
Tue – Thu
Friday
Saturday
Closed
By appointment only
11:00 – 18:00
11:00 – 14:00
11:00 – 14:00
Design by The-Studio
Code By Haker Design
LIORA KAPLAN, From The Stones of The Place, 2025, Autoclaved aerated concrete (AAC) and wood, 128 x 68 cm. Photo: Tal Nisim
LIORA KAPLAN, I Tell You I Could Speak Again, 2025, Autoclaved aerated concrete (AAC), leather, willow sticks, dry bush from Tzukim and Israeli ceramics from Kfar Menahem factory, 213 x 40 cm. Photo: Tal Nisim
LIORA KAPLAN, Come in Day light, 2025, Wood, iron and Israeli ceramics from the factories Manes and Karmit, 128 (h) x 32 cm. Photo: Tal Nisim
LIORA KAPLAN, She Remembers The Future, 2025 Wood, Rattan, Autoclaved aerated concrete (AAC), 186(H)x121x151 cm. Photo: Tal Nisim
LIORA KAPLAN, There Is a Time When Memory Reaches Out, 2025, Wood, pumpkin, bread seal from Mashad village and Israeli ceramics from Karmit factory, 140(h) x 23 cm. Photo: Tal Nisim
LIORA KAPLAN, The Memory Is Simply In-Between, 2025, Autoclaved aerated concrete (AAC), wood and Israeli ceramics from Netzer Kadarim factory, 60 x 21.5 x 72 (h) cm. Photo: Tal Nisim
All Times Belong to Me in a Moment, All Souls Have Inhabited Me Ever, 2025, Autoclaved aerated concrete (AAC) , 109x71x61 cm. Photo: Tal Nisim
LIORA KAPLAN, Spring Has Returned to Me, 2025, Autoclaved aerated concrete (AAC), plywood, iron mesh and chain, polymer clay, wood, 58(H)x120x44 cm. Photo: Tal Nisim
LIORA KAPLAN, "Walking Among The Essences Themselves" (left) and "Those Who Come Close Understand" (right), 2025. Photo: Tal Nisim
LIORA KAPLAN, Thin Cities, 2025, Autoclaved aerated concrete (AAC), stone, iron mesh and polymer clay, 100(H)x40x20 cm. Photo: Tal Nisim
At The End, There Was a Doorway, 2025, xerox print, 260 x 555 cm
Perpetual Becoming, Wood, leather, glass, brass and found Israeli ceramic from Kfar Menachem & Lapid factories, H 170 cm, 60cm Diameter, 2020
Detail, Perpetual Becoming, Wood, leather, glass, brass and found Israeli ceramic from Kfar Menachem & Lapid factories, H 170 cm, 60cm Diameter, 2020
The Poet Doesn't Invent, He listens, Halila stone, wood and found Israeli ceramics from Kfar Menachem and Dar factories, 160 H x 26 cm, 2023
Detail, The Poet Doesn't Invent, He listens, Halila stone, wood and found Israeli ceramics from Kfar Menachem and Dar factories, 160 H x 26 cm, 2023
To Know Virtue, Wood, Brass, Leather, Steal and found Israeli ceramic from Kfar Menachem factory. Dimensions: 133 H x 23 cm Diameter, 2023
Color of Its Thoughts, Glass and found Israeli ceramics from Kfar Menachem, Kad-Yad and Karmit factories, 96 x 20 x 25 cm, 2022
Detail, Color of Its Thoughts, Glass and found Israeli ceramics from Kfar Menachem, Kad-Yad and Karmit factories, 96 x 20 x 25 cm, 2022
An Hour Is Not Merely An Hour, Wood, Brass, Steal and found Israeli ceramics from Kfar menachem, Mannes and Palceramics factories, 205 x 30 cm Diameter, 2023
Detail, An Hour Is Not Merely An Hour, Wood, Brass, Steal and found Israeli ceramics from Kfar menachem, Mannes and Palceramics factories, 205 x 30 cm Diameter, 2023
If Every Tiny Flower, Wood, Brass and found Israeli ceramics from Carmit and Harsa factories and the Atelier of Shulamit Miller, 131 H x 22 cm Diameter, 2023
The Soul That Sees Beauty May Sometimes Walk Alone, Wood, Brass, Steal, Leather and found Israeli ceramics from Karnat, Beit Hayotzer and Harsa factories, 170 H x 23 cm Diameter, 2023
Aspects of Existence, 2021, Glass, Brass and found Israeli ceramics from the factories of Kfar Menachem & Harsa. 164*73 cm
Give Your Hearts But Not Into Each Other's Keeping, 2021, Colored woven rattan, Wood and Israeli ceramics from the factories of Harsa & Mannes. 131*58*21 cm
Like an Echo Sounding Back, 2021, Wood, Brass and Israeli ceramics from the factories of Harsa & Kad-Yad and the atelier of Bar-Adon. 178*60 cm
Lean in Softly, 2021, Woven rattan, Glass and found Israeli ceramics from the factories of Harsa & Karmit, 105*20*15 cm
Ritual Whisper, 2021, Woven rattan and Israeli ceramics from the factories of Harsa & Kad Yad, 110 * 35 * 65 cm
Sense of Things, 2021, Wood and Israeli ceramics from the factories of Palceramics, Kfar Menachem & Netzer Kadarim, 170 * 22 * 22 cm
As If The Sand Were Stone, 2021, wood, leather & woven rattan and found Israeli ceramic from the factory of Kfar Menachem, 247x30 cm
Voice Under All Silences, 2021, Wood, Brass and Israeli ceramics from the factories of Kfar Menachem & Karnat. 177*54*28 cm
Liora Kaplan, Perpetual Becoming,2020, mixed media, wood leather, glass, brass, Kfar Menachem vase, Lapid vase, 170 x 60 cm
Liora Kaplan, Past is Present, 2019, mixed media. painted aluminium base, Kfar Menachem's vase, hand carved wood cone covered with black leather
Liora Kaplan, Simply Because it Changes, 2019, mixed media, wood cone covered with faux snake leather, Kfar Menachem vase, Harsa Vase, glass, carved wood and brass pipes
Liora Kaplan, Now and Never, 2019, mixed media, wood base, Kfar Menachem's vase, hand carved wood cone covered with faux snake leather
Liora Kaplan, Future is Now, 2019, painted aluminium base, Kfar Menachem's vase, hand carved wood cone covered with white leather
Liora Kaplan, As Above So Below, 2019, hand-carved wood, hand-stitched leather over polyurethane cast and iron, 300 x 21 cm
Liora Kaplan, As Above So Below, 2019, hand-carved wood, hand-stitched leather over polyurethane cast and iron, 200 x 21 cm
Liora Kaplan, Feather Bed #2, 2019, 16 hand sculpted polymer clay hands over painted and printed wood
Liora Kaplan, Feather Bed #3, 2019, 18 hand sculpted polymer clay hands over painted and printed wood
Creature of Habit 2017, airbrush painting on fibreglass cast, readymade wood and stainless steel hanger, 207 x 85 cm
Sunday
Monday
Tue – Thu
Friday
Saturday
Closed
By appointment only
11:00 – 16:00
11:00 – 14:00
Closed