PERMANENT EXHIBITION

Portraits of ”Jewish types,“ Hanukkah lamps, smoking candles, and an assortment of shiny metal objects populate the sculptural arrangements featured in Nevet Yitzhak’s video installation. These dynamic ”totems,“ constructed of pre-existing images, sway slightly around the ivory reliefs of Jewish types, as if animated by a living spirit. The reliefs were created at the Kame’a (amulet) workshop founded in the early twentieth century by artist Moshe Murro as part of the Bezalel School of Arts and Crafts in Jerusalem. The portraits of an Ashkenazi Jew, a Kurdish Jewess, a Yemenite Jew, and other members of different Jewish communities emphasize their distinct visual characteristics and traditional attire, illustrating the racial worldview common at the time.

Nevet Yitzhak (b. 1975) dismantles common cultural representations, critiques their means of construction, and reassembles them, proposing new perspectives on the past. This video installation was part of a more comprehensive project by the artist titled Permanent Exhibition (2018), so called after the permanent display of the Bezalel National Museum. It was created following research Yitzhak undertook into the collections of the Bezalel National Museum, kept to this day in the storage rooms of the Israel Museum.

By fusing images of Jewish types with Bezalel objects (made in the years 1906–29) containing Jewish and biblical elements and conveying Zionist ideas, the artist proposes ”hybrids“ of the human and the inanimate. The outcome poses questions regarding the social and political meanings embodied in these objects as carriers of memory, knowledge, and ideology; it also queries the attempt to shape a collective national consciousness through visual culture. The resulting installation is a delicate, precariously balanced monument to Bezalel’s ambitious visual enterprise – a work that offers a critical perspective on the institution’s legacy, emphasizing the fragility and brittleness that accompany contemporary narratives of memory and identity.

Curator: Shlomi Navon