“Nonfinito” by its very essence is not a graduation show or a concluding exhibition. It presents new works by the program’s artists created in recent months, which reflect the themes that preoccupied them in the past year. It is still too early to understand how the epidemic has affected art, and it is impossible to tell where it will lead us in the future, but it is also impossible to ignore the oppressiveness that accompanies us these days and its implications on the ways in which we create and experience art. The speed with which our eye has become accustomed to the turquoise patches that adorn the faces on the street, the thermometers pointed at us like guns, and the hand sanitizer bottles standing by every counter, makes us doubt the sensitivity and adaptability of that eye. What else does it see? What does it no longer see? And what happens to that agitated eye when it resumes observing works of art?
Merav Kamel and Khalil Balabin exhibit a new body of work, spanning wooden sculptures of surrealistic figures, which oscillate between a religious ritual, the onset of a revolution, and an ordinary art class intertwined. These are presented as part of a monumental painting installation, consisting of dozens of works that connect and mesh into one endless scene, challenging the viewer and his/her point of view.
Artists exhibited: Ella Littwitz, Yael Frank, Ruth Patir, Gil Yefman, Dor Zlekha Levy, Halil Balabin & Merav Kamel
Curator: Vardit Gross
NonFinito Catalog