Fix

The exhibition of “Fix” created during the last year and recollect images from variety of surrenders. the concept “Fix” is ambiguous and reflect on habitat’s surrenders  as well as on many different life conceptions, since the term “Fix” indicate on a higher standards of normative way of living we can presume for a state of normality. in the spiritual religious world and from interpretation in the Kabbalah – the Jewish spiritual wisdom,we can also learn that the term point out on the options of reorganising surrenders in which change and recreate all the bad and the goods in the worlds ,once the possibility of fix: is made with an inspiration to create a better place, or a more convenient surroundings.

In the photography field – the same non-religious world that devote himself for the eyesight, the vision, is asking to give expression for varieties of personalised, humanity, private, social and historian worlds, hold a conscious discussion on the term “Fix”.

The action is allegedly technical, inherent and metonymic of the photography medium. The action relate to several expressions such as: exposure fix, perspective fix and optical fix and etc. The action also reveal a deeper expectation for more intimate – spiritualised and romantic touch.

In a personalised, associative and almost intuitive way, coming out from a private world and my personal experiences I try to walk on an imaginary line which cross through both worlds, to be in the same environment which is religious in her experience and also non-religious in her essence at the same time. In other words, I am asking to use the technical in a quest to find the poetic, to hold in the attachment between them, to see it, to try to re-adjust it for private matters.

The analogy as well as the experience – from my personal point of view is asking to move me inside my personal ideas and morals. The fix is a small comfort in the world of wide possibilities that serves me in my relationship with myself and others.

The fix doesn’t improve my ethics nor my object of my photography. He is more likely to be an option, a suggestion or a reflection on reference. This is how several images or photograph combine to be a “something” and at the same time hide emotional and photographic practice and reveal them.