Publications

Ilit Azoulay, No Thing Dies

Editor Maurin Dietrich

Design Lamm & Kirch, Berlin / Leipzig with Albrecht Gäbel

Content Editing and English Translation Einat Adi

Project Management Moranne Mintz

Exhibition View Photography Moranne Mintz

Proofreading Ames Gerould

Image Editing and Prepress Jan Schefer

Printing and Binding DZA Druckerei zu Altenburg GmbH

Paper Genesis 90g/m2 + 210g/m2,

Progloss 150g/m2

Typefaces New Clearface,

Dinamo Diatype

Studio Team
Qualitative Data Analyst Jonathan Touitou

Studio Manager Elinore Darzi (2014 — 16)

Moranne Mintz (2016 — today)

Studio Assistant Shiri Rozenberg

Photoshop Assistant Lena Gomon

Frame designer Amir Azoulai

 

No Thing Dies was made possible by the generous

support of Braverman Gallery, Tel Aviv.

 

Published and distributed by Mousse Publishing

Contrappunto s.r.l. Socio Unico

Corso di Porta Romana 63, 20122, Milan–Italy

Available through

Mousse Publishing, Milan

moussepublishing.com

DAP | Distributed Art Publishers, New York

artbook.com

Vice Versa Distribution, Berlin

viceversaartbooks.com

Les presses du réel, Dijon

lespressesdureel.com

Antenne Books, London

antennebooks.com

 

First edition, 2019. Printed in Germany

ISBN 978-88-6749-383-8

40 € / 45 $

 

Copyrights

© 2019 Mousse Publishing and Ilit Azoulay © 2019 the authors for their respective texts, apart from: Quentin Meillassoux © 1986 by Ursula K. Le Guin Reprinted by permission of Curtis Brown, Ltd. All rights reserved. © 2019 Ilit Azoulay for reproductions of her work and all images in this book, except images on pp. 159, 171 — 172, 240 — 256. Works are from the artist’s collection, unless otherwise indicated.

All rights reserved. No part of this publication may be reproduced in any form or by any electronic means without prior written permission from the copyright holders.

The publisher would like to thank all those who have kindly given their permission for the reproduction of material for this book. Every effort has been made to obtain permission to reproduce the images and texts in this catalogue. However, as is standard editorial policy, the publisher is at the disposal of copyright holders and undertakes to correct any omissions or errors in future editions.

Artists